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Adele pushes to limit latest album to Spotify paid listeners
With her highly anticipated new album “25” dropping later this month, Adele admitted her songs make her cry, too.
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Should Adele opt out of Spotify, she would follow in the footsteps of Beyonce, whose self-titled album broke records as an iTunes exclusive in 2013, and most notably Taylor Swift. She has patiently and relentlessly waited to ideal her album to explain a piece of herself people can relate to-revealing it mostly in her music, rather than dozens of interviews. This would limit the album’s release to approximately 20 million of the 75 million total users on the streaming service.
The Verge reports that Adele wants to release the album to paid subscribers only, effectively barring a majority of Spotify users from streaming the album, and is negotiating with Spotify for such a rollout. Now word is that Adele may keep her coming album called 25 off Spotify as well.
Considering the fact that each of her songs just happen to be gut wrenching, she may just be spending a lot of her time crying. Spotify could also reportedly turn down the “Someone Like You” singer’s request and miss out on the album, which has caused quite a bit of buzz long before its release date. The company has since denied those claims, stating that, “It is categorically untrue that anyone has asked us to feature Adele’s new album on premium only.” . After almost three years since her mega-hit record “21”, the English crooner is back with a long-awaited triumphant return to music. The latest artist to join this growing list is none other than Adele, who might be looking at other options to earn a fair share of revenue.
A partnership between Apple and Adele would be a clear indication that Apple Music service is on its way to get more than just a “Hello” from the music icon. Seemingly Apple Music is “likely to have 25 within a few weeks of its release”. By 2014 she looked totally transformed.
“He’s my paradise”, said Adele about her son.
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The singer announced over Twitter yesterday that she will be guest editing the first issue of the revived Observer Music magazine, which will be published with its parent newspaper on November 15.