That’s when he ends up killing/feeding on his parents before school (aka typical Monday morning) and then goes on to turn ALL of his classmates into creepy little vampires.
Advertisement
Meanwhile, Iris, Ramona and Donovan are finally making moves against The Countess.
The episode begins with a flashback to 1926.
We wonder week in and week out whether or not the show will stop the bleeding, but we do think at this point, it’s getting close.
Compared to most shows, AHS is unique because each season tells a brand new story that is totally different than the one that precedes it. The Countess visits the “Murder House” in 1926 to take care of an unplanned pregnancy.
The Doctor and his nurse perform the operation.
Back to present day, The Countess is busy hooking up with the new hotel owner, Will Drake. Countess calls up Tristan to help her out. In the end, right when it looked like Alex was setting John up to be murdered, the girls got in on the “drive him insane” game so that he’d leave the hotel.
He followed Holden through the hotel corridors and discovered the empty swimming pool, where the coffins of the vampire children had been joined by one for his wife, Alex. When John asked Alex if she was going back to the hotel and she tried to say she wasn’t, his knowing “Oh, you’re still going to play that game” and the door slam was flawless. They’re back! The friends are aimlessly walking around the hallways with no way out. The Countess is super appreciative that Alex saved her demon baby boy’s life, and then, we see Bartholomew’s face. This plea seems to warm the Countess, who’s always had a special, singular connection with Liz Taylor. And despite Liz’s loyalty to the woman who made her a woman, she can’t resist grabbing onto what she suspects is her once-in-a-lifetime chance at real love. Vendela and Agnetha are sad because they still haven’t seen the new [em]Fast and the Furious[/em] movie. Alex tells them that they don’t necessarily have to kill their victims; they could just break their minds. However, his boss is angered as Detective Lowe was laid off the case and was not supposed to be intervening any further. He goes back to the hotel after trying to bum rush the police scene, where he’s met by those two Swedish bitches from the pilot. John sees him and shoots his way, scaring Scarlett. She gave him meds so he wouldn’t wake up and she needed a plan so John wouldn’t find out about her and Holden.
The scene where the two try to kill someone to gain their freedom is really amusing in a awful way-they cut the throat of a random fashionista and one of the girls jumps on his back naked, basically riding him to the ground like a piggy-back gone horribly wrong.
But John wasn’t alone when he left – Baby Bart hitched a ride in his suitcase while John was showering off all that blood!
BARTHOLOMEW. It makes the Children of the Corn babies that much weirder, right? He returns to his regular home, and picks his and Alex’s daughter, Scarlett up from her grandparents’ house. Then Alex sends them after her husband.
There’s still no confirmation of that theory, but Lowe’s continued hallucinations and otherwise loopy behavior only reinforce the idea – and it’s helped along by the return of the season premiere’s sexy Swedes, now ghosts, who decide that they’re going to forget about their Fast and Furious dreams and instead spend the rest of their afterlives double-teaming John in big, bloody bedroom romps.
When John finds the disfigured creature, he takes two shots at it with his gun, which of course freaks out Scarlet. [The Countess] wants everyone in this hotel to love her for who she really is, cunning or not. Liz and Tristan reveal to each other that they are in love, but are scared to betray the Countess. This not only explains his invite to James March’s serial killer party, but his blackouts and general crazed demeanor. Drake could not get in to it sexually so she invited Tristan to become involved with them.
At the bar Ramona sat with a scratched face and talked to Liz about his love of Tristan.
Advertisement
She warned him that if he loved Tristan he would have to run away with him, but Liz insisted that The Countess did not love him like he did. The Countess agrees to let Duffy and Liz be together. “He’s yours. Bury him”, Countess tells Liz Taylor.
